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Wednesday, November 25, 2009

This week at SFC: Local Noir + Bresson's The Devil, Probably

Building 7
Fernandes Industrial Centre
Eastern Main Road
Laventille
Port of Spain

Thursday November 26th

Free for all!

first film 8:15pm, doors open 7:30pm

Robert Bresson's penultimate feature The Devil,Probably preceded by a new short film by the Trinidadian
director Ryan C. Khan; the noir fantasy Minutes to MidNite

"For myself, there is something which makes suicide possible-not even possible but absolutely necessary: it is the vision of the void, the feeling of void which is impossible to bear."
Robert Bresson

SFC have previously screened the following Bresson films: L'Argent,A Man Escapes,Pickpocket,Au Hasard Balthazur


Minutes to MidNite (Ryan C. Khan/Trinidad/2009/21')

actors: Wendell Manwarren, Keron Miguel Yan, Tenielle Newallo
A noir, fantasy crime drama unfolds when ruthless Trinidadian gang member, Snake, kills his leader, Mr. Tiger. Shortly afterwards, Snake receives a message that someone named Anansi Spider is going to "take care of him." Following a near-death experience at the hands of a wicked woman, Snake receives a call from Anansi Spider, warning him that his life is in danger. Snake grapples with whether or not to trust this mysterious man, and, ultimately, makes a deadly decision.

The Devil,Probably (Robert Bresson/France/1977/93')

Charles (Antoine Monnier) tells us straight off that he means to kill himself because the world is too foul a place. He can't change it, and can't find happiness in it, so, why be a part of the cesspool most people call iving? Beautiful, grim-faced, thin, Charles is a contemporary-looking guy, but he has the soul of a deep reader of Robert Burton's seventeenth century classic, "The Anatomy of Melancholy." In his 12th feature film, the then seventy year old director, Robert Bresson, tells a tale of the ennui and horror that faced Europe's post-'68 youth, many of whom felt they had nothing to fight for without the drama of the barricades. In charting Charles' interest in death through his past and by using a brilliant cinematographic palette to do so- check out Bresson's book, the fascinating "Notes on Cinemtography"; in it, he refers to the camera as his pen, and making movies as a way of writing--the director not only sketches a portrait of the bourgeois world that created Charles, but the children of apathetic rebellion. "The Devil, Probably," is a movie about the
rock n' roll spirit that can't find a stage. Using non-actors as "models," Bresson, the master of mise en scene, shows us the truth in every day behaviour, dashed dreams, and children who leave home in search of something like parenting, if not hope. Hilton Als,2009

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